| A Homebuyers Service From CLHLLC |
continued
continued
The Sound of 1930s Florida Folk Life Blues Songs, Rural Life Focus of Library of Congress Web Archive
During the height of the Great Depression, the U.S. government began an unprecedented effort to record the sights and sounds of American folk life. In one program, archivists and so-called "sound recordists" were hired by the Library of Congress to document the diverse cultures of Florida -- including the "underground" culture of working-class black Americans, struggling with Jim Crow segregation and racial discrimination.
Teams of archivists hauled a massive "portable" disc recorder across Florida to record regional folksongs and folktales in many languages -- including blues and work songs from fishermen, railroad gangs and "turpentine camp" workers who turned pine tree sap into turpentine. The archivists also recorded children's songs, dance and gospel music, and interviews they called "life histories." The project was part of the Works Progress Administration, a New Deal program created by President Franklin Roosevelt.
Stetson Kennedy was a leader among those sound recordists. Independent producer Barrett Golding spoke with Kennedy, now 85 and living near Jacksonville, Fla., for an in-depth retrospective of the folk life project, featuring Kennedy's recordings from 1937 through 1942. As Black History Month draws to a close, All Things Considered features a report from Golding.
Kennedy traveled throughout Florida with another recordist, famed Harlem Renaissance writer Zora Neale Hurston. Together they visited places like the turpentine camps near Cross City and the Clara White Mission soup kitchen in Jacksonville. Hurston's book Men and Mules is about her travels gathering folklore in Florida.
The Jim Crow laws forced Stetson and Hurston to travel separately -- he is white, she was black, and they couldn't legally work together. "You could get killed lighting someone's cigarette," Kennedy told Golding. "Or shaking hands -- both colors, white and black."
The Library of Congress recently made a wealth of recordings and pictures from the project available online. Kennedy has been called "one of the pioneer folklore collectors during the first half of the 20th century," and his work is a keystone of the library's presentation.
The project eventually documented folktales, life histories, superstitions and religious and secular music of African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole and Slavic communities throughout Florida.
One Kennedy recording testifies to how the project was welcomed by those who contributed their music or voices. "Dear Lord, this is Eartha White talkin' to you again," one recording begins. "I just want to thank you for giving mankind the intelligence to make such a marvelous machine (the portable recorder), and a president like Franklin D. Roosevelt who cares about preserving the songs people sing
The American Folklife Center of the Library of Congress' Web site Florida Folklife from the WPA Collections has hundreds of audio files and photos collected during the project.
Listen to Irene Jackson sing "I Lost My Jersey Cow Last Year," a song she sang as a child growing up near Jacksonville, Fla.
Listen to Harold B.Hazelhurst sing "John Henry," a work song he learned in a logging amp railroad in central Florida.
Friends of Florida Folk And a CD for the low price of ten dollars. Do not miss out on this. |
![]() |
Famous Floridian James Weldon JohnsonJames Weldon Johnson wrote Lift Every Voice and Sing, the national anthem to millions of black Americans. He was widely known as a man of many talents, all of which he used in some form to help shape America’s history. Johnson was a poet, novelist, historian, diplomat, lawyer, civil rights leader, editor, educator, and songwriter. In 1871, Johnson was born in Jacksonville, Florida. His father was a headwaiter and his mother was a teacher. Johnson’s mother was a great influence on his interest in music and reading. She taught in the segregated Stanton school, which Johnson attended through the eighth grade. Since there were no high schools for blacks in Jacksonville, his parents sent him to high school and college in Atlanta, Georgia. |
|
After graduation from Atlanta University, he returned to Jacksonville and became principal of the Stanton elementary school. He converted Stanton to a 12-year school. While at Stanton, he also studied law and became the first black lawyer in the state of Florida. With words, Johnson battled discrim-ination. His life illustrated that African-Americans could embrace their past and traditions while succeeding in a diverse culture. |
Lift Every Voice and Sing
|
GIVE DEANE and CHRIS A CALL. DISCUSS SERVICES THEY OFFER. SEE HOW THEY MAY HELP YOU OUT IN SOME WAY.
YOU CAN'T MISS WITH DEANE and CHRIS, So CALL them today! OK?